A lone angler carefully posed
on the seam where river and shore
fold into each other: heavy gray
ballast placed to seat a bridge,
iron current undulating.
From a distance this scene looks
flat as a moth-eaten tapestry.
Only the spinning rod poised
with predatory tension suggests
the dynamic of the moment.
I photograph this tableau because
the hunched figure reminds me
of my father posed by the Scantic
with his old green fishing vest
soiled with fish-smut and silt.
I still wear that vest sometimes
when I want to hair-shirt myself
into submission. The man
patiently waiting for bluegill
or perch to tickle his bait
doesn’t sense me watching him,
his focus absolute unless
he’s drowsing in rinsed-out colors,
the way we do when desperate
with boredom we bring on ourselves.
The shadow of the far shore laps
the picture with symbolic threat.
Something’s always creeping toward us,
if only an extra shade of dark
to overlap our private fears.
Rain will begin soon. The angler
will rise all creaky and stretch,
then reel in his monofilament
and stash his bait for next time
when the bigger fish are biting.
He won’t feel he’s been photographed
and wouldn’t care because
the river has already stolen
most of his soul, leaving hardly
a shadow for the world to see.
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