Peter Bott of Hancock NH is a remarkable artist who uses wool to express his deep feelings for animals and other subjects.
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Peter Bott of Hancock NH is a remarkable artist who uses wool to express his deep feelings for animals and other subjects.
Hellebores bloom through the last layers of thaw. We kneel and stare as if they were our newborns. We planted these five years ago and this is the earliest they’ve blossomed. Big white pines lean over the site. The hellebores aren’t intimidated. They will flower all summer and into autumn. We should try to emulate them. We need a reflowering, another shot at glory. But it’s teatime, so we leave the hellebores to their musings and go indoors. I plug in the electric kettle and pluck a couple of tea bags from the big red Typhoo box. We drink our tea in silence. The first flowers of spring always seem a little sad. After washing and putting away the cups we step outside for another look at the hellebores, but it’s raining hard now, erasing the last tatters of snow. The sky looms low and bulky. It never looks so large as when the clouds stoop to brush our faces. The rain is fondling the flowers and encouraging them. Why do we feel small and awkward when such large forces gather? We need that reflowering but doubt it will come.
A flutter of silver and black
streaks in peripheral vision
frames the daily snowstorm.
Those are people holding signs
to protest the latest outrage.
Or maybe they’re the residue
of victims adrift on global
currents too strong to resist.
I lean over the bridge rail
and admire the Rorschach of ice
forming where two rivers meet.
The snow fondles me all over,
the last of my wanton lovers.
The black streaks could be death
ripped from neoclassical texts.
Not actual death but an argument
about the interstices of the past
corroding the useable present.
The silver could be the tint
of my unruly old man’s hair
ransacking imperceptible winds.
I return to my roadside position
and wave my sign: America
for Workers Not Billionaires.
The silver and black converge
as passing traffic honks and yells
curses or praise, silver or black,
the snow absorbing the pain.
Scolding the world in public
eases the dark congealing
in your shapely, old-fashioned skull.
The coffee shop hums. Urns deplete
as snow whirls in the doorway.
Baked goods hunker on display.
You speak loudly to allow
the woolen opposition to hide
behind phrases heard on TV.
Yet no one shouts or even speaks.
You’ve engendered a silence
too dense for the digital world
to violate. Your mouth turns down
like a crescent moon warning
of far worse weather to come.
(first published in Breathe)