Wednesday, February 16, 2022

Industrial Shadow

 


                                                                    Photo by Rodger Kingston

 

A shadow of infernal

machinery plastered against

brownish yellow brickwork

invokes the human silhouettes

burnt into sidewalks and walls

at Hiroshima and Nagasaki.

 

When I crept behind this building

to exfoliate my bladder

I didn’t expect to encounter

this hulking dark impinging

on an otherwise brilliant day.

This critique of my careless habits

 

intends to censure or censor

my projected moment of ease.

I guess I’d better withdraw

and find a friendly men’s room

somewhere between Harvard Square

and the surface of the moon.

 

 

Monday, December 6, 2021

Plumtree’s Home Potted Meats

 


 

You flourish a ceramic jar

labeled “Plumtree Home Potted

Meats” and challenge me to name

 

the book in which it features.

Everyone knows Ulysses

with its sexual puns and slang,

 

but who remembers who’s condemned

to eat that tasteless processed beef?

Cooked on Railway Street in Southport,

 

Plumtree’s meat-mush, we’re assured,

“represents Bloom’s frustration

with his job, his home, and marriage.”

 

As Bloom reads the newspaper

he conjures up cannibalism,

Kosher rules, and slaughterhouses.

 

You look comfortable in the center

of your antique shop, your wares

trickling down from Quebec

 

and lounging in your shop for months

or years before tourists cart them

to New Jersey or New York.

 

Since Canada still honors

the queen when she appears,

clutching her white leather purse,

 

objects from the British Isles

often appear in your stash.

Old Ireland, though, recedes in time,

 

the Republic gradually shedding

the strictures of the priesthood

that strangled Dublin for centuries.

 

Potted meats no longer required

to represent marital duties.

You want too much actual money

 

for this antique jar. I’ll pass.

Joyce died well before I was born,

and mice ate the last shreds

 

of potted meat from under the bed

while Molly lay aghast with pleasure

and her lover discreetly retired.

 

 


 


Friday, November 12, 2021

Art with a Capital T

 

Woods at the edge of a marsh.

Someone has placed a bookcase

of varnished maple, shelves

vacant but expectant. Also

a slab of plywood on the ground

with a large plastic jug, a wire

device of unknown purpose,

and an unused bar of soap.

The jug has a pink stopper,

the plywood is filthy with mildew.

 

Discovering this installation

far from the nearest house

confirms that art is everywhere.

You order me to photograph it

before coming rain can spoil it.

But this isn’t something the Louvre

would hanker for. A narrow board

lies beside it with “Free” spray-painted,

so this is only discarded junk,

not the clever arrangement

we saw from the corners of our eyes.

 

Still, I snap a couple of pictures

to hang in the MFA, the Tate,

the Met, or Wadsworth Atheneum

when the curators aren’t looking.

Then all would agree that art

with a capital T has arrived

in woods at the edge of a marsh

in Harrisville, New Hampshire,

blossoming in the autumn when

people add worn-out belongings

to landscapes too plain to admire

without a touch of culture.