Tuesday, September 6, 2016

Al Fresco in Weare





A little schoolhouse in ruins.
We’re lunching on the wooden steps
Ghosts murmur in the boarded dark
behind us. The radiance
of early September blazes
with fields of aster and goldenrod.
We’ve just visited a graveyard
where nearly famous people lie
as flat as everyone else does:
headstones slightly more serious
and neatly fenced except where
a tree fell and cracked the ironwork.
The old chaos remains although
that little plot lingers in the eye
and berries at the edge of pastures
ripen with no one to pick them
except a few spontaneous birds.

No Trespassing signs plaster
the schoolhouse. Otherwise
we might risk entering to face
the children grown old and dead
in the dust of chalk and litter
of pages torn from textbooks
published before the Japanese
bombed Pearl Harbor. Maybe drenched
in that daylight dark I’d recall
the whole of my algebra,
while you would orate by rote
the history of California
from Father Serra through Stanford
and Ames of the Union Pacific.                                                

A summer of drought has left us
giddy with arid glare. We munch
deviled eggs and lobster rolls
from the market down the highway
and stare at the weedy gravel drive
and wonder how long this schoolhouse
has stood abandoned and whether
surviving graduates recall it
with affection or disgust. I fear
that police will roust us, but you
with your fawn-like innocence
enjoy the undertone of ghost
at our backs, and, post-graveyard,
declare the living moment good,
leaving a few crumbs for birds.

Friday, September 2, 2016

A Shady Graveyard Corner



In a shady graveyard corner
three slate headstones face a wall.
Despite the noon glare splashing
the rest of the weedy acre,
this corner’s so dark I can’t read
the inscriptions, if any remain.

But as I fondle a surface
to detect surviving characters
silver mist rises from the soil
and makes me cough. I retreat
to a safe and sunny distance
and watch the shadows thicken

and brighten with haze. Figures
seem to form, or maybe only
tricks of light and shade. Long ago
oblivion erased every thought
these citizens had, and left
their infrastructure to decay.

This ghostly fog isn’t ghost
but miasma trampled from the moss
when in my usual clumsy way
I tried to trace the names and dates
of people who aren’t my business.
Nothing has changed. The August sun

lurches across a cloudless sky,
the trees in their innocence cast
shade deep enough to drown in.
Why should I feel such a clamor
of nerves at the root of my senses?
The mist has congealed and surely

represents in subtle hues
the dead who have emitted it.
Not souls but last desperate breaths
seeking audience or at least
a glimmer of light to assure them
a version of the world survives.

Sunday, August 14, 2016


Peter Sellars introduces Toni Morrison at the Macdowell Colony, Peterborough, NH, August 14, 2016. Ms. Morrison was awarded the 2016 Edward Macdowell Medal. It was hot and humid under the big tent, but a huge and enthusiastic crowd stuck out the speeches. In her graceful acceptance speech, Morrison told the crowd how she had begun writing, how The Bluest Eye suffered many rejections, and how she met Robert Gottlieb, her editor for many years now. Despite the sultry weather, a good time was had by all.

Monday, May 9, 2016

More Infinite than Sky





By the river, certain trees
warp and twist, spread and stretch
with lust for sunlight too ripe

to ever fully consummate.
This one sprawls as if crawling
to escape its own roots. The sheen

of tough old river can’t dissuade
this creature from evading
its commitment to the earth.

Not even you, more infinite
than sky, could ever persuade it
to resume a normal tree-form.

Yes, I called it a creature
because it looks self-created,
as we’ve often aspired to be.

Today the famous regatta
has formed to cross the river
in a shark-swarm of little sails.

This event impresses no one
but participants: hack sailors
so unskilled that Moby-Dick

could sink them with a single
lash of his tail. Should we wait
until dusk for the fireworks?

In the dark the tree might relax
and straighten to ease its limb-span.
But seeing it silhouetted

by the rage and pop of fireworks
might excite us to flop naked
in the public and pubic grass

and rival the spectacle with one
of our own. The tree might endorse
our steamy gestures, or maybe,                                            

despite the spangles in the sky,
it will just look away, absorbed
in its private tangle of self.